N1

Speech at a Ceremony

๐Ÿ”Š Listen

Situation

Tanaka and Yamada are attending a farewell ceremony for their General Manager (้ƒจ้•ท - buchou). After Yamada delivers a heartfelt farewell address, Tanaka approaches him to offer his compliments. Their exchange quickly evolves into a discussion about the subtleties and difficulties of giving formal speeches in a Japanese business setting.

Dialogue

Tanaka: Yamada-san, sakihodo no buchou e no soubetsu no ji, taihen omigoto desu yo.

Tanaka: Yamada-san, your farewell address to the General Manager earlier was truly splendid.

Yamada: Messou mo gozaimasen, Tanaka-san. Kyoushuku desu.

Yamada: Not at all, Tanaka-san. I'm much obliged.

Tanaka: Iya iya, buchou to no amata no omoide wo orimazetsutsu, kokoro no komotta atatakai speech deshita. Mina-san mo kandou shiteimashita yo.

Tanaka: No, no, it was a warm speech, full of heart, interweaving countless memories with the General Manager. Everyone was deeply moved.

Yamada: Sou itte itadakeru to kyoushuku desu. Fudan osewa ni natteiru kata desu kara, tsutanai nagara mo seiippai no kansha wo tsutaetakute.

Yamada: I'm honored that you say so. Since he's someone who has always taken care of me, I wanted to convey my utmost gratitude, however clumsy my words may have been.

Tanaka: Buchou mo kitto oyorokobi ni natta koto deshou ne. Watashi mo izen, douyou no kikai ga atta no desu ga, kinchou no amari kotoba ni tsumatte shimatte.

Tanaka: The General Manager must have been very pleased. I also had a similar opportunity once, but I was so nervous that I got tongue-tied.

Yamada: Ee, hitomae de no speech wa narenai to hontou ni i ga itaku narimasu yo ne. Watashi mo jizen ni nando mo genkou wo minaoshi, koe wo dashite renshuu shimashita.

Yamada: Yes, public speaking really gives you a stomach ache if you're not used to it, doesn't it? I also reviewed my draft countless times beforehand and practiced speaking aloud.

Tanaka: Sono go-doryoku ga mi wo musunda no desu ne. Toku ni shikiten de no speech to naru to, kotobazukai mo fudan ijou ni ki wo tsukaimasu shi.

Tanaka: Your efforts certainly bore fruit, didn't they? Especially for a speech at a ceremony, one has to be even more careful with their language than usual.

Yamada: Mattaku desu. Teineigo wa mochiron desu shi, aite ni taisuru keii wo sokonawanai you, kenjougo ya sonkeigo no tekisetsu na tsukaiwake mo kanyou desu yo ne. Watashi wa sukoshi oogesaka na to omowareru kurai ga choudo ii to kokorogaketeimasu.

Yamada: Exactly. Not only polite language, but also the proper use of humble and honorific language is crucial so as not to offend the respect one has for the other person. I try to keep in mind that being a little overly formal is just right.

Tanaka: Doukan desu. Aite e no hairyo ga nijimidete imashita. Watashi mo tsugi no kikai ga areba, Yamada-san no you ni shoujin shitai mono desu.

Tanaka: I agree. Your consideration for others really shone through. If I have another opportunity, I'd like to strive to be like you, Yamada-san.

Yamada: Osoreirimasu. Tanaka-san mo kitto, sono toki ni wa migoto na speech wo sareru koto to zonjimasu yo.

Yamada: You're too kind. I'm sure Tanaka-san will also deliver a splendid speech when the time comes.

Tanaka: Iya iya, watashi wa ni ga omoi desu ga, kyou wa taihen yoi otehon wo misete itadakimashita. Arigatou gozaimashita.

Tanaka: No, no, that's too much for me to handle, but today you showed me a very good example. Thank you very much.

Yamada: Tondemo gozaimasen. Kochira koso kouei desu.

Yamada: Don't mention it. The pleasure is all mine.

Key Vocabulary

soubetsu no ji

โ€” farewell address

migoto

โ€” splendid, brilliant, superb

messou mo gozaimasen

โ€” Not at all! / By no means! (humble refusal of compliment)

kyoushuku desu

โ€” I'm much obliged / I'm sorry to trouble you / I'm overwhelmed

amata

โ€” many, numerous

orimazeru

โ€” to interweave, to mix in

tsutanai

โ€” clumsy, poor, unskillful (often used humbly to refer to one's own abilities)

seiippai

โ€” with all one's might, to the best of one's ability

i ga itaku naru

โ€” to get a stomach ache (from worry/stress)

genkou

โ€” manuscript, draft

shikiten

โ€” ceremony

kotobazukai

โ€” choice of words, language, diction

kenjougo

โ€” humble language

sonkeigo

โ€” honorific language

kanyou

โ€” essential, crucial, vital

kokorogakeru

โ€” to bear in mind, to keep in mind, to aim to do

hairyo

โ€” consideration, thoughtfulness

nijimideru

โ€” to seep out, to show through, to emanate

shoujin suru

โ€” to strive, to devote oneself, to make earnest efforts

ni ga omoi

โ€” too much for one to handle, a heavy burden

Grammar Notes

  • ใ€œใฎใ‚ใพใ‚Š (no amari): This pattern expresses that something happened as a result of an excessive amount of a certain state or emotion. It often implies a negative or unintended outcome.

Example: ็ทŠๅผตใใ‚“ใกใ‚‡ใ†ใฎใ‚ใพใ‚Š่จ€่‘‰ใ“ใจใฐใซ่ฉฐใคใพใฃใฆใ—ใพใฃใŸใ€‚(I got tongue-tied due to too much nervousness.)

  • ใ€œใคใค (tsutsu): A formal or literary way to say "while" or "at the same time as." It indicates two actions or states occurring concurrently.

Example: ๆ•ฐๅคšใ‚ใพใŸใฎๆ€ใ„ๅ‡บใŠใ‚‚ใ„ใงใ‚’็น”ใŠใ‚Šไบคใพใœใคใคใ€ๅฟƒใ“ใ“ใ‚ใฎใ“ใ‚‚ใฃใŸใ‚นใƒ”ใƒผใƒใงใ—ใŸใ€‚(It was a heartfelt speech while interweaving countless memories.)

  • ใ€œใชใŒใ‚‰ใ‚‚ (nagara mo): Means "although," "despite," or "while" (similar to ใ‘ใฉ/ใ‘ใ‚Œใฉใ‚‚). It highlights a contrasting or unexpected element.

Example: ๆ‹™ใคใŸใชใ„ใชใŒใ‚‰ใ‚‚็ฒพไธ€ๆฏใ›ใ„ใ„ใฃใฑใ„ใฎๆ„Ÿ่ฌใ‹ใ‚“ใ—ใ‚ƒใ‚’ไผใคใŸใˆใŸใใฆใ€‚(Although my words were clumsy, I wanted to convey my utmost gratitude.)

  • ใ€œใ“ใจใจๅญ˜ใ˜ใพใ™ (koto to zonjimasu): A highly formal and humble way to say "I believe that..." or "I think that..." It's the humble equivalent of ใ€œใจๆ€ใ„ใพใ™/ใ€œใงใ—ใ‚‡ใ†.

Example: ใใฃใจใ€ใใฎๆ™‚ใจใใซใฏ่ฆ‹ไบ‹ใฟใ”ใจใชใ‚นใƒ”ใƒผใƒใ‚’ใ•ใ‚Œใ‚‹ใ“ใจใจๅญ˜ใžใ‚“ใ˜ใพใ™ใ‚ˆใ€‚(I believe you will surely deliver a splendid speech at that time.)

  • ใ€œใ—ใŸใ„ใ‚‚ใฎใงใ™ (shitai mono desu): Expresses a strong desire or hope, often with a nuance of wishing for something to happen or wishing one could do something.

Example: ๅฑฑ็”ฐใ‚„ใพใ ใ•ใ‚“ใฎใ‚ˆใ†ใซ็ฒพ้€ฒใ—ใ‚‡ใ†ใ˜ใ‚“ใ—ใŸใ„ใ‚‚ใฎใงใ™ใ€‚(I wish I could strive to be like Yamada-san.)

  • ใ€œใ‚’ๅฟƒๆŽ›ใ‘ใ‚‹ (wo kokorogakeru): Means "to keep ~ in mind," "to bear ~ in mind," or "to make an effort to do ~." It implies a conscious intention or practice.

Example: ๅคง่ขˆ่ฃŸใŠใŠใ’ใ•ใ‹ใชใจๆ€ใŠใ‚‚ใ‚ใ‚Œใ‚‹ใใ‚‰ใ„ใŒไธๅบฆใกใ‚‡ใ†ใฉใ„ใ„ใจๅฟƒๆŽ›ใ“ใ“ใ‚ใŒใ‘ใฆใ„ใพใ™ใ€‚(I try to keep in mind that being a little overly formal is just right.)

Cultural Notes

In Japan, formal speeches in corporate or public settingsโ€”such as farewell ceremonies (้€ๅˆฅไผš - soubetsukai) or welcoming parties (ๆญ“่ฟŽไผš - kangeikai)โ€”are intricately tied to cultural norms of politeness and respect. The appropriate use of ๆ•ฌ่ชž (keigo - honorific language) is essential. This includes ๅฐŠๆ•ฌ่ชž (sonkeigo), used for the person being spoken about or to, and ่ฌ™่ญฒ่ชž (kenjougo), used humbly for oneself or one's in-group. Even when conveying a personal message, the tone must always remain formal and respectful of both the occasion and the audience.

A key aspect of Japanese etiquette is humility. Speakers commonly downplay their own abilities or the quality of their speech, using phrases like ๆ‹™ใ„ใชใŒใ‚‰ใ‚‚ ("although clumsy"). They also humbly refuse compliments with expressions such as ๆป…็›ธใ‚‚ใ”ใ–ใ„ใพใ›ใ‚“ or ๆ็ธฎใงใ™. Moreover, an effective speech often balances formality with personal anecdotes, showcasing both respect and a genuine connection with the honored individual. Thorough preparationโ€”including drafting and practicing the speech aloudโ€”is highly regarded as a demonstration of dedication and respect for the audience and the recipient.

Practice

Here are some suggestions to practice this conversation:

  • Role-play: Find a partner and take turns being Tanaka and Yamada. Pay close attention to the politeness levels and emotions conveyed by each character. Try to mimic the intonation and pauses.

  • Substitution Drills:

  • Replace the departing "้ƒจ้•ท" with other titles such as ็คพ้•ทใ—ใ‚ƒใกใ‚‡ใ† (shachou - company president), ๅ…ˆ็”Ÿใ›ใ‚“ใ›ใ„ (sensei - teacher/doctor), or ๅ…ˆ่ผฉใ›ใ‚“ใฑใ„ (senpai - senior colleague). Observe how the nuances might shift.

  • Substitute "้€ๅˆฅใฎ่พž" with different types of formal addresses, like ๆญ“่ฟŽใ‹ใ‚“ใ’ใ„ใฎๆŒจๆ‹ถใ‚ใ„ใ•ใค (kangei no aisatsu - welcoming speech), ้–‹ไผšใ‹ใ„ใ‹ใ„ใฎ่พžใ˜ (kaikai no ji - opening address), or ่ฌ่พžใ—ใ‚ƒใ˜ (shaji - words of thanks).

  • Change the emotional impact word "ๆ„Ÿๅ‹•" (kandou - deeply moved) to ๅ…ฑๆ„Ÿใใ‚‡ใ†ใ‹ใ‚“ (kyoukan - sympathy/empathy), ๆ„Ÿ้Š˜ใ‹ใ‚“ใ‚ใ„ (kanmei - deep impression), or ่ณ›ๅŒใ•ใ‚“ใฉใ† (sandou - agreement/approval).

  • Variation Scenario: Imagine this conversation takes place after a wedding reception where one of the speakers was Yamada. How would the content of the dialogue change? What different words or phrases might they use to describe a wedding speech, focusing on congratulations and well wishes instead of farewells?

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