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13 strokes

塑 — Mold, Plastic

N1
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Meaning

The kanji 塑 (ソ) conveys the essential ideas of "molding," "sculpting," or "plasticity." It fundamentally describes the act of shaping a malleable material, such as earth, clay, or other soft substances, into a desired form. This concept is central to creative and transformative processes in fields like art and manufacturing, where raw materials are given new structures. For instance, think of a sculptor shaping clay or a factory producing plastic parts. The meaning of "plastic" or "plasticity" directly stems from this core idea, referring to a material's ability to be permanently deformed without breaking—a crucial property for molding.

Etymology

Etymologically, 塑 is a 形声文字 (keisei moji), a phonosemantic compound. It combines two main parts: the radical 土 (つちへん - tsuchihen), meaning "earth" or "soil," and the phonetic component 朔 (さく - saku). 朔 originally referred to the new moon and implied "beginning" or "first." While 朔 provides the sound "ソ" (through phonetic shift), the 土 radical directly indicates the material often used in molding, like clay or earth. This combination clearly illustrates the kanji's meaning: shaping an initial or "first form" using "earth/clay." Therefore, the visual components powerfully evoke an image of hands working with clay to create something new. The earth radical firmly places the kanji in tangible, material creation, while the phonetic element suggests the process of forming a primary or initial shape.

The kanji 塑 has 13 strokes. It is not assigned to a specific elementary or junior high school grade level in Japan, typically being learned at a more advanced stage, classifying it as an N1 level kanji for the JLPT. Its use is generally encountered in specialized contexts related to art, engineering, and material science.

Readings

The kanji 塑 mainly uses its On'yomi, or Chinese-derived reading, to form words in Japanese. Unlike many kanji, it doesn't have a commonly recognized, standalone native Japanese Kun'yomi. This means you'll encounter it most often within compound words that reflect its specialized meanings.

On'yomi (音読み) — Chinese-derived readings

The primary On'yomi for 塑 is ソ (So). This reading appears consistently in almost all compound words containing 塑, carrying its core meanings of molding, sculpting, or referring to plastic materials. While rarely seen in isolation, mastering this reading is key to understanding various technical and artistic terms.

  • 塑像そぞう (sozō) — A sculpted image or statue, typically made from clay or plaster.

彼は粘土ねんどうつくしい塑像そぞうつくげた。

Kare wa nendo de utsukushii sozō wo tsukuriageta.

He created a beautiful clay statue.

  • 塑造そぞう (sozō) — The act of molding or sculpting itself; creation. This term emphasizes the process of shaping.

古代こだい芸術家げいじゅつかは、神々かみがみ塑造そぞうすることにけていた。

Kodai no geijutsuka wa, kamigami wo sozō suru koto ni takete ita.

Ancient artists were skilled at sculpting gods.

  • 塑性そせい (sosei) — Plasticity; the property of a material to undergo permanent deformation without fracturing. This reading is crucial in materials science and engineering.

この金属きんぞくたか塑性そせいっているため、加工かこうしやすい。

Kono kinzoku wa takai sosei wo motte iru tame, kakō shiyasui.

This metal has high plasticity, making it easy to process.

Kun'yomi (訓読み) — Native Japanese readings

The kanji 塑 (ソ) doesn't have a commonly recognized or independently used Kun'yomi. Although its core meaning relates to "shaping" or "molding"—which might conceptually align with verbs like かたどる (katadoru, to model/shape)—this verb is typically written with 象る or 型取る, not 塑. The lack of a direct Kun'yomi for 塑 highlights its specialized nature and its primary role in forming compound words with its On'yomi. Therefore, learners should concentrate on mastering its On'yomi and its various compound applications, rather than seeking a standalone native reading. The idea of "molding" is fully expressed through its On'yomi compounds and other kanji.

Common Words & Compounds

The kanji 塑 appears in many compound words, especially in fields such as art, engineering, and chemistry. These compounds consistently use the On'yomi ソ (So), elaborating on the core meanings of molding, shaping, and plasticity.

  • 塑像そぞう (sozō) — A sculpted image or statue, typically made from clay or plaster. (Art/Craft)
  • 塑造そぞう (sozō) — The act of molding or sculpting; creation of a form. (Art/Action)
  • 塑性そせい (sosei) — Plasticity; the ability of a material to be molded. (Science/Materials)
  • 塑性加工そせいかこう (sosei kakō) — Plastic working; processing materials by deformation. (Engineering/Process)
  • プラスチックぷらすちっく (purasuchikku) — Plastic (material). Although a loanword, the English word "plastic" itself comes from the Greek "plastikos" meaning 'to mold,' directly linking it to the core concept of 塑.
  • 塑像彫刻そぞうちょうこく (sozō chōkoku) — Sculpture using molded materials. (Art/Technique)
  • 塑像家そぞうか (sozōka) — A sculptor who specializes in molding figures. (Profession)
  • 塑性変形そせいへんけい (sosei henkei) — Plastic deformation; permanent change in shape without fracture. (Science/Physics)
  • 塑性流動そせいりゅうどう (sosei ryūdō) — Plastic flow; continuous deformation under stress. (Science/Fluid Dynamics)
  • 塑型そけい (sokei) — Molding; shaping a form. Often used in technical contexts. (Process/Engineering)
  • 塑鋼そこう (sokō) — Moldable steel; a type of steel that can be easily shaped. (Materials/Engineering)
  • 塑像芸術そぞうげいじゅつ (sozō geijutsu) — The art of sculpting and molding. (Art/Concept)

Example Sentences

Sono geijutsuka wa nendo de ningen no katachi wo sozō shita.

The artist sculpted a human figure out of clay.

Kodomo-tachi wa kōen de doro wo konete samazama na katachi ni sozō shita.

The children kneaded mud in the park and molded it into various shapes.

Kono sozai wa kōon de takai sosei wo shimesu.

This material exhibits high plasticity at high temperatures.

Kōjō de wa, tokushu na kikai wo tsukatte kinzoku wo sosei kakō shite iru.

In the factory, they are plastically working metals using special machinery.

Kodai no shokunin wa, doki wo takumi ni sozō shite seikatsuyōhin wo tsukutta.

Ancient artisans skillfully molded pottery to create daily necessities.

Gijutsusha-tachi wa shinsōzai no sosei henkei wo kenkyū shite iru.

Engineers are researching the plastic deformation of new materials.

Kono chōkokuka wa sozō geijutsu no daiichininsha to shite shirarete iru.

This sculptor is known as a leading figure in the art of sculpting and molding.

Saishin no surī-dī purintā wa, samazama na zairyō wo sokei suru nōryoku ga aru.

The latest 3D printers have the ability to mold various materials.

Memory Tip

To remember the kanji 塑 (ソ), picture its components: 土 (earth/soil) and 朔 (new moon/beginning). Imagine an artist working with a fresh batch of 土 (earth or clay) under the light of a 朔 (new moon), which symbolizes a fresh start or the beginning of a form. The artist carefully molds and sculpts this raw earth into its initial shape. Here, 土 represents the material, and 朔 (which also gives the phonetic sound ソ) evokes the action of shaping something from its very inception—much like forming a plastic, malleable material into a new creation. Therefore, you can think of it as "Earth at the beginning of its shape" or "Molding earth into a new beginning."

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